Showing posts with label dark fashion illustration. Show all posts
Showing posts with label dark fashion illustration. Show all posts

12.04.14. Y O H J I Y A M A M O T O S P 1 5

No surprise to me, Yohji Yamamoto was my favorite of the Spring 2015 runways. I wanted to draw and wear the entire collection.
The finale look was a particular favorite. I made up a romantic story in my head, where a young bride is dressed for her wedding in a post apocalyptic world.



08.17.14. T R I C K S


This is the process I generally take for fully rendered illustrations, specifically those that require a print or certain knit. Start with a quick sketch for pose, then a clean drawing and shading. If I feel something is missing, I sketch it separately, then add it in photoshop. 

05.27.14. B E G I N N I N G S




This was my first quick sketch when trying to come up with an illustration 'style'. I knew that my design aesthetic can be gothic, spiritual and whimsical most of all, so I wanted a beautiful, spirit-like figure to represent that. I remember seeing a black and white photo of Ann Demeulemeester that had such a dark and sensuous power to it, I tried to capture that. 

Sailor Moon influenced me more than any other TV show growing up, and to this day, it is my favorite cartoon/anime. I was enamored with the character's super long hair that seemed to always be moving, along with the fascinating styles and colors. I had to include a little Sailor Moon somewhere.

Then there were miles of pinterest photos I had collected to build an ideal mood. 

I decided not to add a skin color completely by accident, back in school when I didn't have the time to finish a project. I noticed the detail in the clothing really came to life with a less distracting canvas. Color also frustrates me immensely, in design and illustration. I feel like it slows me down, when what I really want to do is focus on the garment itself, it's movement, it's rendering, it's silhouette, and it's construction. 

Currently, I am challenging myself to infuse more of the detailed rendering I learned in school and fine art lessons into each drawing. I want to rely more on hand rendering in order to build upon this style, which I feel still needs a lot of work.